His work methodology focuses mainly on the capture, extraction, editing and storage of audio samples from different sources:
records on the street
audiovisual edits and converts of radio signals
uses a shortwave radio to capture foreign broadcasts
Transforms, relentlessly, curtails, beheads and sews sound works from different backgrounds and authors, providing the glue that comes from analog-digital instruments and audio processors and resulting in a “sound narration” split into parts.
His sound works do not drop below 20 minutes for just such narrative, where there is a development from defined introduction to epilogue.
Detests the “digital finishing” of sound with a computer. For that reason dirty, gnawing and saturated sounds prevail (but without spoiling the record), thus achieving kind of a sound archeology.
His creative concepts pursues mysticism, the occult, time,
religions, the process that leads to contemplation,
the silence, the pause, the suspension, death and upstarts.